The political lives of people in the African continent
Below is an archive of the Africa ProActive blog posts.
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Africa-Asia Relations
- Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
- Mar 26, 2020 Japanese kyōsei: A comparative model for co-existence in Africa? Mar 26, 2020
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Africa-India Relations
- Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
- Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
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Artivists
- Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
- Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
- Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
- Mar 26, 2020 Japanese kyōsei: A comparative model for co-existence in Africa? Mar 26, 2020
- Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
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Civil Society/Activism
- Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
- Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
- Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
- Jun 19, 2020 The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19 Jun 19, 2020
- Jun 8, 2020 From Accra to Harlem and Back: Black Histories Matter Jun 8, 2020
- Apr 28, 2020 A Following is Never Owned Apr 28, 2020
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Commentary
- Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
- Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
- Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
- Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
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Cross-cultural relations
- Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
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Ghana
- Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
- Oct 4, 2022 Booing is Caring: Mutombo Da Poet on the Global Citizen Festival and Ghana Oct 4, 2022
- Oct 13, 2021 Vaginas and Penises: Why Ghana Is Not Having the Right Conversations About Them Oct 13, 2021
- Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
- Apr 23, 2021 “Rules are Rules”: Discrimination and Calls For a More Inclusive Senior High School Education in Ghana Apr 23, 2021
- Apr 20, 2021 Is COVID-19 Exacerbating Inequality in Ghana? An Interrogation of the Evidence Apr 20, 2021
- Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
- Mar 3, 2021 Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response Mar 3, 2021
- Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
- Jun 19, 2020 The Poor are Paying for the Whole Ghana Approach in the Fight Against COVID-19 Jun 19, 2020
- Jun 8, 2020 From Accra to Harlem and Back: Black Histories Matter Jun 8, 2020
- Apr 28, 2020 A Following is Never Owned Apr 28, 2020
- Apr 3, 2020 COVID-19: A Whole Ghana Approach Apr 3, 2020
- Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
- Nov 14, 2019 Ghana’s National Cathedral: Chale, what’s up with that? Nov 14, 2019
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Health
- Apr 20, 2021 Is COVID-19 Exacerbating Inequality in Ghana? An Interrogation of the Evidence Apr 20, 2021
- Mar 3, 2021 Propagandizing a Pandemic: The narrative of “progress” in Ghana’s COVID19 response Mar 3, 2021
- Apr 3, 2020 COVID-19: A Whole Ghana Approach Apr 3, 2020
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LGBTQ+
- Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
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Panel
- Feb 9, 2023 On the State of Popular Art (Media) and Research in Ghana Feb 9, 2023
- Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
- Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
- Aug 5, 2020 On Beyoncé’s Africa: African Perspectives on ‘Black Is King’ Aug 5, 2020
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Popular Culture
- Mar 1, 2021 Black, Brown and in Love: Interracial Relationships between Africa and India Mar 1, 2021
- Feb 24, 2021 This is not Namaste Wahala: On Silences, (His)Stories and Ghana’s Oldest South Asian Family Feb 24, 2021
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Religion
- Feb 13, 2023 Music and Activism in Ghana (Wanlov the Kubolor and Kwame Write) Feb 13, 2023
- Jun 16, 2021 Ghana’s Crackdown on LGBTQ+ has a (Neo)Colonial and Christian Face Jun 16, 2021
- Mar 21, 2021 Queer Feminist Organizing in Ghana and Beyond: A Special Panel Mar 21, 2021
- Jan 21, 2020 God’s Business: Artivist Responses to Ghana’s National Cathedral Project Jan 21, 2020
- Nov 14, 2019 Ghana’s National Cathedral: Chale, what’s up with that? Nov 14, 2019
On March 19, 2021, Ras Aswad Nkrabea, a father of a young Rastafarian boy admitted to the Achimota Senior High School, posted to Facebook that his son, Oheneba Kwaku Nkrabea, and another teenage boy, Tyron Iras Marhguy, had been denied enrollment because of their locks. The issue caught national attention, and heated debates ensued about the school’s right to enforce its rules and the student’s unfettered rights to access education as well as practice their religion and manifest its expression. Nii Kotei Nikoi explores how the broader import of this recent episode of discrimination reveals the systemic problem of inclusive education in Ghana.